a stunning 3 track ep. >enter the night< provides a very funky vibe. with minimal feel, typified in cuts (yeah, shake a leg!), this records kicks off with a house rhythm before a bristling bass really starts driving the piece along. a smoke filled voice soon comes in, throwing the listener off talking about nights and exits or no exits while the track >no exits< on b2 is a fine and dark mixture of crisp beats and glitchy percussion to create a forceful groove as spluttery synth stabs keep up the incessant pressure. cuts of mazi s vocal twist things just that bit more evil as the house edged mood continues its push further into new depths of mayhem. the driving melody in >sarabbath< on b1 is quite a head-turner and should create a stir in the clubs, using the more minimal and melody side of this great 12inch

the einmaleins family welcomes mark-henning - part english, part german, all techno. throwing a curveball with funked up minimalism and crazy effects.. supported by butane, chris duckenfield, pan pot, funk d void, josh wink and tobi neumann

bounding out from her hard techno roots, misstress barbara takes off in this new release, showcasing her love for all that is good music. refusing the standard one-genre-one–sound that most djs get pushed into, she walks over her own boundaries and treads off into the world of other genres. while stripping away the hard driven beats her fans relate her name to, she moves through an electro funk tech-house and minimal spell, throwing in her usual floor hitter that she will never really leave behind. with her new release >come with me…<, misstress barbara brings you two fresh tracks that.. dance floor go crazy.

after the well received 'ladies and playboys ep ' warmup, phonogenic audio is ready to take things to the next level with this 3-track monster piece of wax titled 'synth ethics ep'.. 'syntine' is a true crowd pleaser with it's strong emotional bassline and on point beats, huge floor reactions guaranteed, 'clonely' is all about the energetic beats and synthesized harmonies.. taking a dash of the past and throwing in two fistfulls of future, it manages to create a perfect soundtrack for the urban nightscape.. the room shaker hammered by the likes of ivan smagghe, j.dahlbäck, mr.c, ralph lawson, jori hulkkonen. huge crowd reactions!

a full-on electro excursion from cajmere, with a great vocoder vocal the centerpiece, surrounded by driving beats and a steady bassline. mark grant takes it to the main floor crowds with a stellar rework, retooling the drums and bass for the peaktime hours and throwing some well-placed filters into the mix, while the vocal stays present. on the reverse, the 'praise mix' is a classic slice of gv action, with thumping drums, wailing synths, swirling effects, and no vocal, all very much in the style of 'flash' et al

the original is smoking, with bumping jazz piano samples, vocal snippets & strong beats. watch out for boomty man dj sneak as he truely gets the party started with this jackin mix adding a heavy bottom end thats sure to wreck speakers!! no assembly firm add their touch of jazzy weirdness into the mix, chopping up the piano samples, throwing in crazy rolling drums & nuff fx edits & trickery to mess with your head while your body works it out!

brainwashstarts with electronische alarm tones under a slamming break slowly mutilating into a damn tight groove of an-2 style bass and crispy drums with the mesmerizing detroitish string workout from the king of st petersburg. midnight radiois a totally different beast. standing totally on its own, the basic channel alike dub-influences are strong, combined with italo-influenced drums and strong 80s synths throwing you back into the early times of techno and electro

the compilation reflects simon greens penchant for both expansive combinations of mixed musical elements and intricate structures. he uses the multi-instrumental arrangements of his own work as the basic structure on which to build a narrative across house, techno, electronica and breakbeat. (fabric london)

this offering is part of public possessions 5th anniversary celebrations. public possession rare dance disc includes previously unreleased music by almost all label artists. 15 tracks carefully selected, released on compact disc in a limited edition of 300 copies. representative for the labels output so far, you will find a wide variety of music, fullfilling various dj needs, providing everything from bubbling ambient, synth pop and uptempo disco to peaktime mainstage material, 90s influenced rnb and more.

>this mix was the perfect chance to sit down with pinch & bring together a sonic which we both feel we have been working towards for a while, albeit from very different angles. in my opinion the dance music climate in the uk is enjoying a healthy & extremely interesting transitional period one which i would draw parallels to the 93/94 proto era when people were literally making up the rules as they went along. this mix is a ode to that time & our attempt at throwing some ideas out there, with the hope of sparking some imaginations & pushing things further forward< - mumdance

das solo-debŸtalbum des new yorker remixers richard jankovich (beck, radiohead, of montreal), mitglied der electro-popper burnside project, bewegt sich zwischen indie-rock und electro-pop und featuret prominente gastvokalisten, darunter robyn hitchcock, tanya donelly (throwing muses), peter coyle (lotus eaters), mark burgess (the chameleons) und sal principato (liquid liquid).

austin-based vvv is one of a new wave of garage producers whose music actually feels like an honest mixture of vintage and modern touches, rather than a trend-hopper looking to capitalize on a few dubstepforum fruity loops tutorials. he s an artist who happily mixes and matches signifiers, lacing his productions with subtle streaks of colour and leading them into unexpected detours. over the course of across the sea vvv swings from gleeful todd edwards-style vocal mush (-aisle seat-) to sepalcure-esque house-tinged workouts like -retreated- to more experimental fare. on tracks like -stuck between- or the stumbling punch-drunk jungle of -duration of light-Ñwhere breaks crash through filtered soul samples and cause ripples like dominoesÑhe always keeps the tracks backbone intact while doing some of the weirdest things to bass music youll hear this side of machinedrum. across the sea doesnt have the same visionary outlook as room(s), but it shares that albums embrace of fine-tuned sequencing and development. the tender, reflective moments that occasionally pop up are its best, whether its that memorable opener or the fogged-glass beats of -among the whispers,- which admittedly sounds a little like burial but higher-definition, with high-strung chords recalling netsky more than untrue. the albums closer -all that weve been through- nicely sums up the proceedings, throwing an out-of-context piano on top of another burial-esque beat loaded up with reverb yet still cutting clear as day. its perfectly representative of vvvs aesthetic: his debut album isnt always made up of entirely original ingredients, but like any good chef, he knows how to present it in a way thats irresistibly appetizing.

let me see you skank out! mrk1 cuts in vocals from his virus syndicate group while mixing up some of dubsteps finest new cuts for this latest mix, future:dubstep:03. when deciding who should mix future:dubstep:03 there was no hesitation in asking mrk1 he is undoubtedly one of dubsteps most established and respected figure heads. through his own contagious label, mix compilations including rephlexs grime (a key release in pushing the dubstep / grime sound to a wider audience) and releases on the genres biggest labels including two artist albums, mrk1 is without shadow of a doubt one of the genres most influential and successful artists. featuring on the compilation are three records from hatcha & kromestar as well as a host of records from mrk1 himself and bonus tracks from cyrus (of random trio). future:dubstep:03 also previews tracks from some of dubstepÕs best up & coming talent including the consistently genre chart topping bare noize (who also mixed future:dubstep:02), rebel sonix, scott nixon, rms and trimaxis